I skimmed through your article located here:
http://holocaustcontroversies.blogspot.com/2010/01/irene-zisblatt-diamond-girl-fact-or.html
1) Something that needs to be brought to your attention is that Irene Weisberg Zisblatt isn't the only one of the five main stars of Steven Spielberg's The Last Days to claim to have escaped from inside a gas chamber seconds before being gassed.

Alice Lok Cahana, abstract Holocaust artist, claims the following :
"Alice Lok Cahana, whose story was recounted by Laurence Rees in his book entitled "Auschwitz, a New History" was 15 years old when she was registered in the Auschwitz-Birkenau camp; months later she was sent to the gas chamber in Krema V and told that she would be given new clothes after taking a shower. Alice was inside the gas chamber in Krema V when the revolt by the Sonderkommando unit in Krema IV began on October 7, 1944. This was the occasion when the Sonderkommando blew up the Krema IV gas chamber building with dynamite that had been sneaked into Birkenau by some of the women prisoners who worked in factories outside the camp. Because of all the commotion, the women in the Krema V gas chamber were released unharmed."
(Alice Lok Cahana also claims her aunt is in one of the most famous pictures of Jews allegedly stoically walking to the gas chamber.)
Incredibly neither Cahana or Zisblatt's gas chamber escapes are documented in the final cut of The Last Days, although apparently at least Zisblatt's made up gas chamber escape was originally recorded, according to the supplementary book to the film which includes her actual lines of dialog.
2) I notice that you don't specifically mention anything about Zisblatt's many alleged siblings. Have you seen the part in her original Shoah Foundation testimony, in which she claims one of her brothers dies of scarlet fever well before deportation, in their own home village? Yet in her book, she claims that her entire family perished in gas chambers. I wonder how many of her siblings even existed, or if they're like "Sabka", which you would agree is a fictional character? I would also like information about her parents' fate.
3) Skimming through your article, (which unfortunately is mostly damage control mixed with denial which surpasses the research I was able to complete with limited funds and no access to documents such as the hilarious diamond-free stool sample Walzer had in his possession) I notice that you pretty much claim that Zisblatt was never tattooed. Will you definitively say that Zisblatt never had a tattoo, since Zisblatt refuses to show us where she says Mengele removed her tattoo?
4) When is Kenneth Walzer going to have ABC run an expose on Zisblatt as they did Rosenblatt? 'Cause I just read that Zisblatt is still making the rounds, recently making an appearance at Syracuse University (you can access her absurd Shoah testimony there or go upstairs and read "The Hoax of the Twentieth Century, which is on the shelf and defaced).
Unfortunately, Dr. Neander, I don't have the resources that Jewish Holocaust Scholars do. Will you look into Lok-Cahana's story, or simply join the revisionists and just call her gas chamber escape another stupid Zisblattian lie? When did Cahana first tell this story? When did her abstract Holocaust art business start picking up? Why does she seem to be the one most "acting" in the film, with long dramatic pauses? Dr. Neander, when are you going to come to the conclusion that Zisblatt, Cahana, etc., are just actors in Spielberg's second fictional Holocaust drama? There are other liars in the film I will expose soon enough, I'm just helping you catch up to us.
By the way Dr. Neander, in helping you join the elite few in coming to the conclusion that The Last Days was practically scripted fiction, (shot with 35 mm cameras which necessitates calling "action" and "cut") I will inform you that I believe the diamond prop Zisblatt holds in her hands was specifically created for Spielberg's The Last Days. I believe I have the name of exactly who made it, and was hired to craft it as a prop for this film. I believe the story of Zisblatt eating feces covered diamonds was created specifically for Spielberg's film, and the prop of the tear dropped shape diamond pendant was created for the unforgettable visual effect (cue violins and clarinets) that even Pulitzer prize winning film reviewers fell for.
I hope to share solid proof of this shortly.
In closing, Dr. Neander, I'd like to answer the hypothetical question you pose at the beginning of your article -
"Teaching falsehood, even with the best intentions, is always dangerous and counterproductive. Human beings have an inborn tendency to think. What if the kids, who were deeply impressed by Mrs. Zisblatt's story, some day reach for a scholarly book about the Holocaust or a memoir vetted by experts and find out that things could not have happened as told by her? "
You just described exactly what happened to me, Dr. Neander, regarding Wiesel's Night (which in your very same article, you also pretty much say is quasi-fictional, yet at least somewhat believable in comparison to Zisblatt's Grimm Fairy Tales). And yes, teaching Jewish myths to children is incredibly dangerous. Like you said, one day they might figure out they've been lied to all their lives after looking into things for themselves.